DEATH AND “CULTURE”

THE SCIENCE FICTION STORY: WHAT IS IT?

TELEVISION AS A SPECIAL CASE OF MEDIA EDUCATION

Television as a widespread and most influential media represents a special subject of the media culture and education. Observing television includes analysis of its distribution and reception, basic characteristics and possible interpretations. To understand the scale and nature of the impact of television in Serbia, this paper provides an overview of the television system and the most watched programs – predominantly of informative and entertaining nature. It is stressed that in the creation of programs a market principle prevails, which often pushes the socially responsible role of television. The technology and the production processes are presented in order to underline the formal qualities and to understand the conditions under which the television content is created. The paper emphasizes artificial nature of the television products and their imperative for creating the illusion of reality. Finally, it suggests a semiotic approach as a practical basis for the interpretation of television messages, which leads to ideological analysis of the sending and receiving of messages. The significance of this research could be a comprehensive analysis in general which indicates possible angles of approach to the meanings of television. In media education it would relate to ethics of the media creators and the formation of a critical tool in consumers against the mechanisms of media manipulation.

LE CRÉPUSCULE DES SIGNES

HERESY AND THE MORAL ORDER

PROUST

BOOKS AND PERMANENT EDUCATION IN FRANCE

ART AND TECHNOLOGY

In this paper we will deal with those theoretical aspects that shed light on the essential relationship between technology and art. This study gains importance especially today, when we witness a widespread and unstoppable acceleration of the technological progress, especially in the domain of high technologies, where the art as part of the cultural system becomes affected by the omnipresent technological euphoria. However, as we shall see in this paper, strong conceptual connections between art and technology as social activities, have existed long before the technology boom in the second half of the 20th century. Therefore, the aim of this paper is to point to the essential fact that the technology and art have always shared and still share the same fate of civilizational and human development in a specific form of partnership.

JOURNALISM OR PR – ILLUSION OR REALITY

If journalism once opened the “windows to the world”, today we may say that the view through them is getting blurred. The increasing numbers and sizes of these windows rise suspicion about the truthfulness of the reality presented. In this work, the authors have analyzed the contents of high circulation and influential daily papers in Serbia pointing to their importance in creation of political culture. A clearly observed trend indicates to the increasing influence of political parties, tycoons, advertisers, whereas the interests of workers, minority groups or political opposition are marginalized. The crises of domestic press is often getting justified by consequences of global economy failure or explosive impact of the Internet, while the losing of credibility or professional standards are rarely even mentioned! Newspapers in Serbia are inordinately covered by golden dust of PR teams and agencies, mediating reality in which politicians and the show business stars offer simple patterns of success, concepts of eternal leadership and wealth within easy reach. Fewer employees in editorial offices and shorter information production periods leave an empty space readily and aggressively snatched by PR experts, spin masters and lobbyists who place contents inclining to more and more aggressive clientelism. In these harsh market approach conditions, journalism also obscurely changes, reminding more and more of a propaganda leaflet or billboards of political mentors, very well hidden tycoons or marketing monopolists. The variable nature of the truth contained in different interpretations of recipients, among ideologically and culturally different readers, leads to desertion of the principles of journalist profession and entering into the sphere of info-entertainment where news does not have the character of public goods but of ordinary goods owned by the richest and the most powerful individuals!

COLOUR, THE MODERN WORLD, ART